The work’s high opus number should not mislead us: Mendelssohn composed his Sextet for piano and five strings when he was only fifteen years old. Here one will not yet find innovative writing of the caliber of what Mendelssohn would soon produce in the Octet or in the Overture to “A Midsummer Night’s Dream”. Louis Spohr and Hummel still hold sway as conventional musical models, but at least the agile Menuetto exudes Mendelssohnian flair, rushing on by with the grace of a fairy. The work was not printed until 1868, twenty-one years after Mendelssohn’s death, and has not circulated widely since then. Mendelssohn biographer Eric Werner described this work as a “miniature chamber concerto for the piano, contrasting the latter with the five other instruments. Along with Witold Lutosławski, Krzysztof Penderecki is regarded as the most outstanding Polish composer of the 20th century.
Starting in the 1980s, Penderecki abandoned all avant-garde tendencies and has been increasingly using the music of the 19th and early 20th centuries as his models. With a generous playing time of 35 minutes, the work presents itself as a reminiscence of great Slavic composers of the 20th century. Here one can easily detect Penderecki’s penchant for Stravinsky, even more so for Bartók and, above all, for Shostakovich. As Penderecki once put it himself: “I am, of course, a Slavic composer who is mainly interested in communicating his emotions through musical expression.”
Jakob Ludwig Felix Mendelssohn Bartholdy born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period.
Mendelssohn is often compared to Mozart. Both of them were child prodigies, both had a talented sister and they both died at a young age. Mendelssohn, who as a child also painted wrote poetry, was born in small family which converted to christianity from judaism. As a composer he preferred looking back, rather than forward: his main examples were Bach, Handel and Mozart. It was Mendelssohn who retrieved Bach from oblivion and pushed for a revival of his music, which still lasts today. One century after its premier, Mendelsson performed the St Matthew Passion for the second time ever, in 1829.
Three years, earlier, on his 17th, he had already composed his masterfully overture A midsummer night's dream op. 21, based on Shakespeare's play. Today, it is still considered as one of the absolute masterpieces in all of the orchestra reperoire. His Violin Concerto op. 64 belongs to the most beautiful works of the 19th century as well. During his travels through Europe, he wrote his brilliant Italian Symphony, Scottish Symphony and the overture The Hebrides.
Although Mendelssohn had a prosperous career, his weak physique made him emotionally vulnerable. The death of his favourite sister Fanny became fatal: Mendelssohn died in the same year, at the age of 38.
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